When We Strike Reviews

We are humbled and thrilled to hear our little show be so well received. To read some of our reviews, see below!

Curtain Call Review

“With a perfect combination of commercial elements, a pop-rock score, and a true story at its heart, the show delivers a gripping, high-energy performance that is both entertaining and thought-provoking.”

“It’s easy to imagine it selling out larger venues like the Garrick or Arts Theatre, where it would appeal to a Six-like demographic.”

“The score is a series of absolute bops, blending upbeat, catchy tunes with moments of stillness that allow for reflection and emotional depth. “

Theatre and Tonic Review

When We Strike is a piece that is certain of its identity–a youthful musical laden with a sense of ‘girl-power.’”

When We Strike is an excellent addition to the repertoire of young performers everywhere, with plenty of fiery tunes to offer”

Reviewers Hub Review

“Burt and Shoenfeld’s musical works hard to turn stereotypes about nineteenth-century factory workers and their victim status on its head with intense rock tunes and toe-tapping choreography that ensures its characters leap from the page.”

 “All of this is wrapped in some fist-pumping tunes that give Burt and Shoenfeld’s musical contemporary resonance and plenty of political bite.”

Musical Theatre Review

“This fine show by Caitlyn Burt (librettist and lyricist) and Amir Shoenfeld (composer and lyricist) is almost faultless.

“A cauldron of effervescent energy, this vibrant show is deeply moving and warmly uplifting on several levels.”

“The punk music drives the narrative furiously and relentlessly. It’s gloriously anachronistic and the cheerful incongruity of both words and music adds to the humour and relevance just as it does in the musical Six.

LouReviews Review

 ” With songs ranging from the traditional ballad to a proper banging rock beat, Amir Shoenfeld’s score for When We Strike is funny, clever, and varied. “

“Does this show have a future? I believe it does. In celebrating working women and organised power against capitalism and profiteering, the Bryant and May fight still feels strangely contemporary.”

West End Best Friend Review

“We never know quite what to expect when seeing a new musical, and it’s always a delight when it turns out to be a winner – and that was certainly the case at Southwark Playhouse with the British Youth Music Theatre production of When We Strike.

When We Strike is a glorious new musical by any standard; for it to have been produced in two weeks with a young cast is a stunning achievement.”

Adventures in TheatreLand Review

“There is no better feeling than walking into a new musical you know nothing about and being blown away.”

“The high-energy spills from the stage, keeping you gripped and invested throughout.”

“The humour sprinkled throughout is second to none”

” It’s also pretty much a guarantee that you’ll have the soundtrack spinning round your head long after you’ve left the theatre, we need a cast recording pronto!”

“It’s the sort of musical that knows exactly what it is and does it fantastically well, making you wish you could rock on a little bit longer.”

Best of Friends

Lucy and her friends sing and dance to our new song, ‘Best of Friends’, where they realise how boring it would be if everyone was the same.

What’s On Stage

Read the What’s On Stage article announcing the upcoming Signal Online, featuring our new song, ‘It’s You’, by Amir Shoenfeld and Caitlyn Burt.

READ HERE

‘It’s You’ debuted at the first ever SIGNAL Online

In the midst of cancelations and isolations, Adam Lenson’s Signal performance decided to keep its scheduled date, swapping what would have been a live BEAM2020 event, for a ground-breaking online format. Direct from composer’s houses all over the globe, SIGNAL ONLINE streamed live performances of new musical works.

Making its debut, ‘It’s You’, from our new musical ‘Out of Sight’ was performed by Amir Shoenfeld.

WATCH BELOW

‘From Inspiration to Stage’ Podcast - (Im)Perfect Rhyme

Hear Caitlyn’s opinion on the perfect/imperfect rhyme debate, along with the song ‘Offspring Just Spring Off’ by Amir Shoenfeld and herself, from their children’s musical, ‘Sheila the Tiny Turtle’.

The battle lines are drawn as Drew asks one of the big questions surrounding lyric writing.  From all over the world, lyricists have had their say on whether rhymes should be perfect, or if imperfect rhymes are now the norm.  What’s the answer?  Join Drew along with a very distinguished group of artists including Noel Katz, Caitlyn Burt, Cal Silbertstein, Krishna Alexandra, Millicent Sarre and Makayla Ryan as they tackle this fascinating topic.  This episode also features an array of songs from new musicals including tracks by Cal Silberstein and Jinhee Kim, Krishna Alexandra and Lorien Patton, Caitlyn Burt and Amir Shoenfeld, and Drew Lane himself.  Get ready for a passionate debate!

LISTEN HERE

Garden Theatre Songwriting Challenge

We are really excited to have our song ‘A Man Called John’ selected as one of the winners of the Garden Theatre Song Writing Challenge! A ‘watch party’ will be taking place on Tuesday 26.5.20 on the Garden Theatre Facebook page, 5.00pm (EST), where our song will be sung by the very talented Valerie Torres-Rosario.

Garden Theatre Songwriting Performance

‘A Man Called John’ selected as one of the winners of the Garden Theatre Song Writing Challenge! Watch the very talented Valerie Torres-Rosario’s performance.

Johanna, a very clever 16 year old woman in the year 819, has been secretly reading about John the Baptist with her friend Lucas. When she realises she won’t have access to books anymore, she resolves to change where her future is heading.

Bite-Sized Broadway Podcast

Announcement of Bite-Sized Broadway Podcast Musical, ‘Sheila the Tiny Turtle’

Amir Shoenfeld (Music) and Caitlyn Burt (Book and Lyrics) are excited to announce that ‘Sheila, the Tiny Turtle’, our 20 minute Aussie musical, will be part of the Bite-Sized Broadway: A Mini-Musical Podcast season. Episodes premiere on October 5th, with Sheila’s date to be confirmed.

Bite-Sized Broadway: A Mini-Musical Podcast consists of 50-minute episodes each featuring a 10-to-20-minute “mini-musical” presented as a fully produced radio play complete with top-of-the-line digital orchestrations and captivating sound effects. Each musical is followed by a discussion with its writers about their piece and their careers. In order to support these gifted writers, we have cast top Broadway and theatre industry talent to help get eyes and ears on these writers and help them launch a fruitful career in the theatre.

In the Australian desert, a family of turtles works hard to find food for their sick mother. Sheila, the cleverest – yet smallest – turtle of the family, is mocked by her brothers for not being able to contribute due to her size. When Sheila hears about a cure located dangerously far across the desert, she determines to bring the seeds back to save her mum. While crossing the sand, Sheila encounters a kangaroo, followed by a dingo, where she is forced to use her brain instead of her size to overcome the obstacles and make her mum well.

Go to www.indieworkstheatre.com/bitesizedbroadway for more information!

SIGNAL Online 6

‘Rich, Dead Saint’ Debuted at SIGNAL ONLINE 6

Introducing a new project, Amir and Caitlyn sing ‘Rich, Dead, Saint’ from their work based on 90s computer game, Grim Fandango at Signal Online 6.

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